Philip Aguirre y Otegui (b. 1961, Belgium) is a multidisciplinary artist best known for his sculptures, installations, and monumental public works. His practice, however, extends far beyond the three-dimensional realm, encompassing an extensive body of drawings and graphic works that are integral to his creative process.
For Aguirre, drawing is more than just a preparatory exercise—it is a fundamental means of thinking and analyzing the world. As he puts it, “I draw, therefore I think.” His works often explore themes of human dignity, migration, and social justice, reflecting a deep engagement with history, politics, and the human condition.
Aguirre’s sculptures and public installations can be found in various locations across Europe and Africa, where they serve as powerful commentaries on community, memory, and space. His artistic language blends classical influences with a contemporary sensibility, resulting in works that are both timeless and deeply rooted in social consciousness.
Throughout his career, Aguirre has exhibited widely, earning recognition for his ability to merge poetic sensitivity with critical reflection. Whether through bronze, wood, paper, or large-scale interventions, his work consistently speaks to the complexities of human existence, bridging the personal and the universal.